"To be or not to be - that is the question.
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles,
And by opposing end them?"
-- From Hamlet (III, i, 56-61)
. . .
"O Romeo, Romeo! wherefore art thou Romeo?"
--From Romeo and Juliet (II, ii, 33)
. . .
"Et tu, Brute?"
--From Julius Caesar (III, i, 77)
. . .
"To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow; a poor player,
That struts and frets his hour upon the stage,
And then is heard no more: it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing."
--From Macbeth (V, v, 19)
. . .
"Out, damned spot! out, I say!"
--From Macbeth (V, i, 38)
. . .
"All the world's a stage,
And all the men and women merely players.
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages."
--From As You Like It (II, vii, 139-143)
. . .
"Oh, I am fortune's fool!"
--From Romeo and Juliet (III, i, 141)
. . .
"Good night, good night! Parting is such sweet sorrow."
-- From Romeo and Juliet (II, ii, 185)
. . .
"But, soft! What light through yonder window breaks?
It is the east, and Juliet is the sun."
--From Romeo and Juliet (II, ii, 1-2)
. . .
"My words fly up, my thoughts remain below: Words without thoughts never to heaven go."
--From Hamlet (III, iii, 100-103)
. . .
"What's in a name? That which we call a rose
By any other word would smell as sweet."
--From Romeo and Juliet (II, ii, 1-2)
. . .
"The quality of mercy is not strain'd.
It droppeth as the gentle rain from heaven
Upon the place beneath.
It is twice blest:
It blesseth him that gives and him that takes."
--From Merchant of Venice (IV, I, (184-186)
. . .
"Now is the winter of our discontent."
--From King Richard III (I, i, 1)
. . .
"Our remedies oft in ourselves do lie,
Which we ascribe to Heaven."
--From All's Well That Ends Well (I, i, 231-232)
. . .
"Alas, poor Yorick! I knew him, Horatio; a fellow of infinite jest, of most excellent fancy."
--From Hamlet (V, i, 203-204)
. . .
"The man that hath no music in himself,
Nor is not mov'd with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils."
--From The Merchant of Venice (V, i, 83-85)